Amélie [2001] Read More >>

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Rob: Just come on! What would it mean to you, that sentence: ‘I haven’t seen Evil Dead II yet?’
Barry: Well to me it would mean that you’re a liar. You’ve seen it twice. Once with Laura – oops – and once with me and Dick, remember? We had that conversation about the guy making Beretta shotgun ammo off-screen in the 14th century.
Rob: Right. All right, but let’s just say that I hadn’t seen it…and I said to you ‘I haven’t seen Evil Dead II yet,’ what would you think?
Barry: I’d think that you’re a cinematic idiot and I’d feel sorry for you.

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A Nos Amours [1983]

Here’s to the most important man in our life. Whether a dominant father or an absent one, his being and actions impact on us deeply and makes us the person we are today. He is the template of all the qualities we expect in a man and no-one ever comes close to matching him. Shared characteristics and physical features are born with pride – and yet when we reflect his lesser pleasing traits, our fight to eradicate them is futile. We are his and we are blood, forever and inextricably linked. Read More >>

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Marie Antoinette [2006] Read More >>

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Michelangelo Antonioni & Monica Vitti

A thought occurred to me as I was writing my recent post Agent Provocateur. I had focused on two films starring Anna Karina (Pierrot Le Fou) and Harriet Andersson (Summer with Monika), in which both had played characters who were unsympathetic on paper and yet were transformed into charismatic roles on film. These challenging roles had been written specifically for them and directed by their respective lovers – and this is when the thought occurred to me. The most memorable female roles that I have seen committed to film, the best work and performances by actresses, have all been created and directed by their lovers. I am aware that this is a sweeping generalisation but does anyone remember any of the films Anna Karina starred in which weren’t directed by her husband, Jean-Luc Godard? Read More >>

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David Huxley: Now it isn’t that I don’t like you Susan because after all in moments of quiet I’m strangely drawn toward you, but well, there haven’t been any quiet moments. Our relationship has been a series of misadventures from beginning to end. So if you don’t mind, I’ll see Mr Peabody alone and unarmed!
Susan Vance: Without me?
David Huxley: Yes! Without you and definitely without YOU! Now Susan, I’m gonna say goodnight and I hope that I never set eyes on you again. Goodnight!

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He asks if she’ll ever leave him. She replies ‘Of course not’ as she lifts her downward gaze and turns her blue eyes towards us the audience. Staring defiantly at us, she repeats ‘Of course not.’ By the time ‘Fin’ appears at the end of the film Anna Karina has betrayed her lover, Jean-Paul Belmondo and as revenge he kills her before blowing himself up with dynamite wrapped round his head in Jean-Luc Godard’s ‘Pierrot le Fou.’ Read More >>

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À Bout de Souffle [1960] Read More >>

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photo courtesy of frogcake.net

Or to let Peter Ackroyd be heard in context from the formidable biography he wrote of this city – ‘It is in the nature of the city to encompass everything…London goes beyond any boundary or convention…It is illimitable. It is Infinite London.’ Having been born and bred in London, my biased opinion, would have to agree with our esteemed writer. My hometown is incomparable to any other city in the world. No other city has dominated and influenced for a millenium like London – it is a constantly evolving, modern place. It is not only the history and the contrasting period styles of architecture which make this city a rare gem – but it’s the people too. Migrating diasporas that have settled here have created a complex and multi-layered place, fusing their cultures and enriching the city with new exciting styles and tastes. London has attitude, energy and truly individual style. Read More >>

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L’Appartement [1996] Read More >>

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